English literature of the 1920s
著者
書誌事項
English literature of the 1920s
Edinburgh University Press, c1999
大学図書館所蔵 全29件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 227-242
Includes index
内容説明・目次
内容説明
The English literature of the 1920s is commonly treated in terms of its position within European or Anglo-American Modernism. This book argues that the English literature of the period can be better understood when it is examined in the context of a more local social and literary history. Focusing principally on the novel, this book treats works that are regarded as modernist alongside non-modernist and popular forms, and demonstrates the engagement of these texts with a common context of social concerns, including sexuality, gender and class politics, Englishness, empire, and the cultural pessimism which informed the formation of English as a modern university subject. The book includes major new accounts of the best-known works of the period which challenge received wisdom on these subjects, including studies of D H Lawrence, Virginia Woolf and E M Forster. These accounts are set in the context of a variety figures who are now becoming better-known to the non-specialist, including Rebecca West, Wyndham Lewis, Aldous Huxley and Sylvia Townsend Warner.
The First World War heralded the creation of the modern state and of a modern culture which in its essential outline remains with us. Rejecting a current trend to dismiss modernism as an elitist cultural movement, Ayers argues that the work of this period which most commands our attention remains that which most decisively articulates a critique of the emergence of modernity. The task of the critic is to disengage the utopian moment of works which seek to create a space for difference even where these works are mired in the confusions of contemporary ideology. * Concise accounts of the social and political contexts of the 1920s * Sustained and theoretically sophisticated accounts of key works by D H Lawrence, Virginia Woolf and E M Forster * Extensive treatment of a selection of other works, including contemporary best-sellers * A substantial bibliography
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