Refried Elvis : the rise of the Mexican counterculture
Author(s)
Bibliographic Information
Refried Elvis : the rise of the Mexican counterculture
University of California Press, c1999
- : [pbk.]
Available at 9 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 319-338) and index
Description and Table of Contents
- Volume
-
ISBN 9780520208667
Description
This study shows how America's biggest export, rock and roll, became a major influence in Mexican politics, society and culture. From the arrival of Elvis in Mexico during the 1950s to the emergence of a full-blown counterculture movement by the late 1960s, Eric Zolov uses rock to illuminate Mexican history through these charged decades and into the 1970s. This narrative traces the rechannelling of youth energies away from political protest in the wake of the 1968 student movement and into counterculture rebellion, known as La Onda (The Wave).
- Volume
-
: [pbk.] ISBN 9780520215146
Description
This powerful study shows how America's biggest export, rock and roll, became a major influence in Mexican politics, society, and culture. From the arrival of Elvis in Mexico during the 1950s to the emergence of a full-blown counterculture movement by the late 1960s, Eric Zolov uses rock and roll to illuminate Mexican history through these charged decades and into the 1970s. This fascinating narrative traces the rechanneling of youth energies away from political protest in the wake of the 1968 student movement and into counterculture rebellion, known as La Onda (The Wave). "Refried Elvis" accounts for the events of 1968 and their aftermath by revealing a mounting crisis of patriarchal values, linked both to the experience of modernization during the 1950s and 1960s and to the limits of cultural nationalism as promoted by a one-party state.
Through an engrossing analysis of music and film, as well as fanzines, newspapers, government documents, company reports, and numerous interviews, Zolov shows how rock music culture became a volatile commodity force, whose production and consumption strategies were shaped by intellectuals, state agencies, transnational and local capital, musicians, and fans alike. More than a history of Mexican rock and roll, Zolov's study demonstrates the politicized nature of culture under authoritarianism, and offers a nuanced discussion of the effects of cultural imperialism that deepens our understanding of gender relations, social hierarchies, and the very meanings of national identity in a transnational era.
Table of Contents
List of Illustrations
Acknowledgments
Introduction
1 Rebeldismo in the Revolutionary Family: Rock 'n' Roll's Early Impact on Mexican State and Society
2 Containing the Rock Gesture
3 La Onda: Mexico's Counterculture and the Student Movement of 1968
4 La Onda in the Wake of Tlatelolco
5 La Onda Chicana: The Reinvention of Mexico's Countercultural Community
6 The Avandaro Rock Festival
7 A Critique of the "Obvious Imperialist": The USIA
Conclusions
Notes
Bibliography
Permission Credits
Index
by "Nielsen BookData"