Gower Champion : dance and American musical theatre
著者
書誌事項
Gower Champion : dance and American musical theatre
(Contributions in drama and theatre studies, no. 87)(Lives of the theatre)
Greenwood Press, 1999
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
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  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Gower Champion's career spanned the years during which American musical theatre was transformed from a crude popular entertainment into a sophisticated art form. As the director and choreographer of Hello, Dolly!, 42nd Street, and other Broadway musicals, he was central to that transformation. He came of age during the zenith of American musical theatre production and made his mark on both sides of the curtain. As a dancer, he gained notoriety through his work with Jeanne Tyler and Marjorie Belcher, and his experience as a performer gave him a solid foundation for his later success as an organizer of memorable productions. As a choreographer and director, he became known for spectacular numbers that blended dance, staging, and elaborate scenography. More than anyone else, he seemed to realize that the achievement of a musical depended on those spots where music, dance, lighting, costumes, and staging created a sustained narrative and emotional flow through sound and motion rather than words. This book provides the first extensive treatment of Champion's life and legendary career.
The book falls neatly into two main sections. The first discusses Champion's career as a performer, with chapters on his early Broadway appearances and his work for MGM Special attention is given to how his experiences as a dancer prepared him for the later half of his career. The second examines his work as a choreographer and director and is organized around the musicals with which he was involved. Each chapter consists of a history of one or more of those productions, from original concept to opening night and sometimes beyond, as Champion, ever the perfectionist, sought to improve on what everyone else thought was already perfect. The volume is fully documented, with basic historical research conducted at several special collections. In addition, the book is based on a careful analysis of Champion's scripts, which include numerous revisions and thus illuminate how he crafted his productions. Finally, the study depends on interviews conducted with various individuals who knew and worked with Champion throughout his impressive career.
目次
Series Foreword Foreword Editor's Preface Introduction The Beginnings of a Style (1919-1936) The First Broadway Shows (1937-1942) Marge (1942-1948) MGM (1948-1953) The Later Movies and 3 For Tonight (1953-1959) Bye Bye Birdie and Carnival! (1958-1961) Hello, Dolly! (1961-1965) I Do! I Do! (1961-1968) Difficulties and Decline (1968-1972) Fall and Rise (1971-1979) 42nd Street (1976-1980) Chronology Selected Bibliography Index
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