CiNii 図書 - Adaptations : from text to screen, screen to text

Adaptations considers the theoretical and practical difficulties surrounding the translation of a text into film, and the reverse process; the novelisation of films. Through three sets of case studies, the contributors examine the key debates surrounding adaptations: whether screen versions of literary classics can be faithful to the text; if something as capsulated as Jane Austens irony can even be captured on film; whether costume dramas always of their own time and do adaptations remake their parent text to reflect contemporary ideas and concerns. Tracing the complex alterations which texts experience between different media, Adaptations is a unique exploration of the relationship between text and film.

Part I Part I AN OVERVIEW
Chapter 1 ADAPTATIONS, ImeldaWhelehtm
Part II Part II FROM TEXT TO SCREEN
Chapter 2 INTRODUCTION, DeborahCartmell
Chapter 3 THE SHAKESPEARE ON SCREEN INDUSTRY, DeborahCartmell
Chapter 4 CONSERVATIVE AUSTEN, RADICAL AUSTEN, JulianNorth
Chapter 5 FROM EMMA TO CLUELESS, EstherSonnet
Chapter 6 IMAGINING THE PURITAN BODY, RogerBromley
Chapter 7 FOUR LITTLE WOMEN, PatKirkham, SarahWarren
Chapter 8 WILL HOLLYWOOD NEVER LEARN?, NicholasZurbrugg
Chapter 9 ADAPTING THE HOLOCAUST, MarkRawlinson
Chapter 10 SPEAKING OUT, DerekPaget
Part III Part III FROM SCREEN TO TEXT AND MULTIPLE ADAPTATIONS
Chapter 11 INTRODUCTION, DeborahCartmell
Chapter 12 ORLANDO, SharonOuditt
Chapter 13 JANE CAMPION AND THE LIMITS OF LITERARY CINEMA, KenGelder
Chapter 14 THE WRATH OF THE ORIGINAL CAST, Ina RaeHark
Chapter 15 BATMAN, WillBrooker
Chapter 16 'THOU ART TRANSLATED', PaulWells
Chapter 17 'A DOGGY FAIRY TALE', ImeldaWhelehan
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Adaptations : from text to screen, screen to text

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