French and English polyphony of the 13th and 14th centuries : style and notation

著者

書誌事項

French and English polyphony of the 13th and 14th centuries : style and notation

Ernest H. Sanders

（Variorum collected studies series, CS637）

Ashgate, c1998

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注記

Essays originally appearing in various journals

Includes bibliographical references and indexes

収録内容

  • Tonal aspects of 13th-century English polyphony
  • Cantilena and discant in 14th-century English polyphony
  • The question of Perotin's oeuvre and dates
  • The medieval motet
  • The medieval hocket in practice and theory
  • The early motets of Philippe de Vitry
  • English polyphony in the Morgan Library Manuscript
  • Consonance and rhythm in the organum of the 12th and 13th centuries
  • Sine littera and cum littera in medieval polyphony
  • Style and technique in datable polyphonic Notre-Dame conductus
  • Conductus and modal rhythm
  • The earliest phases of measured polyphony
  • Rithmus

内容説明・目次

内容説明

The articles collected and updated in this volume constitute the results of the author's research in the area of medieval polyphony. The most significant advance in music during the period of the High Gothic was the development of a system of rhythm and of its notation, the understanding of which was, according to the author, obscured during the 20th century because of an undue emphasis on the so-called rhythmic Latin poetry from the time of St Augustine to the High Middle Ages. The essays survey the accomplishments of Europe's first great composers, the flourishing of the medieval polyphony and the remains of the motets by Philippe de Vitry, a major figure in the Parisian intelligentsia of the 14th century.

目次

  • Tonal aspects of 13th-century English polyphony
  • cantilena and discant in 14th-century English polyphony
  • the question of Perotin's "Oeuvre" and dates
  • the medieval motet
  • the medieval hocket in practice and theory
  • the early motets of Philippe de Vitry
  • English polyphony in the Morgan Library Manuscript
  • consonance and rhythm in the organum of the 12th and 13th centuries
  • "sine littera" and "cum littera" in medieval polyphony
  • style and technique in datable polyphonic Notre-Dame conductus
  • conductus and modal rhythm
  • the earliest phases of measured polyphony
  • rithmus
  • additions and corrections.

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