Poetry as experience
著者
書誌事項
Poetry as experience
(Meridian : crossing aesthetics / Werner Hamacher & David E. Wellbery, editors)
Stanford University Press, 1999
- : hbk.
- : pbk.
- タイトル別名
-
Poésie comme expérience
- 統一タイトル
-
Poésie comme expérience
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Includes bibliographical references (p. 141-144)
内容説明・目次
- 巻冊次
-
: hbk. ISBN 9780804734264
内容説明
Lacoue-Labarthe's Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action-a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest. Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tubingen, Janner" and "Todtnauberg"-the one a response to Holderlin, the other to Heidegger-and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject.
For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject-or, for that matter, to the concept of poetry-but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future.
目次
- Part I. Two Poems by Paul Celan: Part II. Remembering Dates: 1. Catastrophe
- 2. Prayer
- 3. Sublime
- 4. Hagiography
- 5. The power of naming
- 6. Pain
- 7. Ecstasy
- 8. Vertigo
- 9. Blindness
- 10. Lied
- 11. Sky
- 12. The unforgivable
- Notes.
- 巻冊次
-
: pbk. ISBN 9780804734271
内容説明
Lacoue-Labarthe's Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action-a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest.
Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tubingen, Janner" and "Todtnauberg"-the one a response to Hoelderlin, the other to Heidegger-and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject-or, for that matter, to the concept of poetry-but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future.
目次
Contents PART I CELAN PAUL PART II 1 2 3 4 5 6 7 8 9 10 11 12
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