Russia under western eyes : from the Bronze Horseman to the Lenin Mausoleum
著者
書誌事項
Russia under western eyes : from the Bronze Horseman to the Lenin Mausoleum
Belknap Press of Harvard University Press, 1999
- :pbk
並立書誌 全1件
大学図書館所蔵 全24件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 437-482) and index
内容説明・目次
- 巻冊次
-
:pbk ISBN 9780674002104
内容説明
As the dust clears from the fall of Communism, will Western eyes see Russia, the unclaimed orphan of Western history or Russia as she truly is, a perplexing but undeniable member of the European family? A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.
The Russian troika hurtles through these pages. The Spectre, modernity's belief in salvation by revolutionary ideology, haunts them. Alice's looking glass greets us at this turn and that. Throughout, Martin Malia's inspired use of these devices aptly conveys the surreality of the whole Soviet Russian phenomenon and the West's unbalanced perception of it. He shows us the usually distorted images and stereotypes that have dominated Western ideas about Russia since the eighteenth century. And once these emerge as projections of the West's own internal anxieties, he shifts his focus to the institutional structures and cultural forms Russia shares with her neighbors.
Here modern Europe is depicted as an East-West cultural gradient in which the central and eastern portions respond to the Atlantic West's challenge in delayed and generally skewed fashion. Thus Russia, after two centuries of building then painfully liberalizing its Old Regime, in 1917 tried to leap to a socialism that would be more advanced and democratic than European capitalism. The result was a cruel caricature of European civilization, which mesmerized and polarized the West for most of this century. As the old East-West gradient reappears in genuinely modern guise, this brilliantly imaginative work shows us the reality that has for so long tantalized--and eluded--Western eyes.
- 巻冊次
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ISBN 9780674781207
内容説明
As the dust clears from the fall of Communism, what will Western eyes see? Russia, the unclaimed orphan of Western history? Or Russia as she truly is, a perplexing but undeniable member of the European family? Spanning the years from Peter the Great to the fall of the Soviet Union, this text provides a sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations. Martin Malia shows the reader the usually distorted images and stereotypes that have dominated Western ideas about Russia since the 18th century. Once these emerge as projections of the West's own internal anxieties, he shifts his focus to the institutional structures and cultural forms Russia shares with her neighbours. Modern Europe is depicted as a West-East cultural gradient in which the central and eastern portions respond to the Atlantic West's challenge in delayed and generally skewed fashion. Thus Russia, after two centuries of building then painfully liberalizing its Old Regime, in 1917 tried to leap to a socialism that would be more advanced and democratic than European capitalism.
The result was a cruel caricature of European civilization, which mesmerized and polarized the West for most of the century.
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