Beyond Caligari : the films of Robert Wiene
Author(s)
Bibliographic Information
Beyond Caligari : the films of Robert Wiene
Berghahn Books, 1999
- : hbk
- : pbk.
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Filmography: p. [192]-223
Bibliography: p. [224]-231
Includes indexes
Description and Table of Contents
Description
While the Cabinet of Dr. Caligari became an international film classic, its director, Robert Wiene, was disparaged and even forgotten. Wiene's oeuvre, however, exhibits a surprising versatility and quality, featuring Raskolnikov, an expressionist adaptation of Dostoevsky's novel, INRI, a monumental Bible epic, Orlac's Hands, a psychological thriller, and Der Rosenkavalier, an ambitious opera film. His last film, Ultimatum(1938), is a vehement warning of approaching war, which remains relevant today. With painstaking research of the major European film archives, the author's detailed portrait reveals a career far more differentiated than hitherto acknowledged. Caligar/i - though rated the second most important film in German film history in a recent critic's and scholar's poll - was a landmark rather than a culmination in a career that successfully oscillated between artistic and commercial interests.
As the field of film studies rediscovers film history and the value of historical context for the analysis of individual films, monographs on filmmakers are increasingly valuable to scholars and students of both film history and cultural studies. Through the provocative and prolific career of Robert Wiene, a wider, more dynamic view of fantasy production in the Weimar Republic is revealed, enabling the reader to better appreciate the complex shapes of Weimar cinema, its inimitable blend of modernism and mass culture, of avant-garde enterprie, and generic production.
Table of Contents
Acknowledgements
Introduction
Chapter 1. Wiene's Life and Film Career
Chapter 2. Wiene's Pre-Caligari Film Career
Chapter 3. The Cabinet of Dr. Cagliari
Chapter 4. Post-Cagliari-Period Films 1920-1921
Chapter 5. Films for the Lionardo and Neumann Production Companies 1922-1924
Chapter 6. The Viennese Films 1924-1926
Chapter 7. The Last Silent Films: Berlin 1927-1929
Chapter 8. The Sound Films 1930-1938
Filmography
Bibliography
Index
by "Nielsen BookData"