Nineteenth-century British music studies
著者
書誌事項
Nineteenth-century British music studies
（Music in 19th-century Britain）
Ashgate, c1999-
- Vol. 1
- Vol. 2
- Vol. 3
大学図書館所蔵 全7件
注記
Papers deriving from the inaugural conference of the Society for the Study of Music in Nineteenth-Century Britain, held at the University of Hall, July 1997
V. 2 edited by Jeremy Dibble and Bennett Zon
V. 3 edited by Peter Horton and Bennett Zon
Includes index
内容説明・目次
- 巻冊次
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Vol. 2 ISBN 9780754606413
内容説明
These articles are taken from the Second Biennial Conference for Music in Nineteenth-Century Britain, held at the University of Durham. The topics covered include: a study of music in late-19th-century English monasteries; works on psalmody and on Cathedral music at Durham, Westminster and Christ Church, Dublin; opera and oratorio; issues of reception and performance; nationalist and political sentiment in music; art and poetry and their relation to music; and the variation tradition in British instrumental musical at the end of the 19th century. One of the main objectives of this series is to place music in the context of 19th-century Britain - in other words, to show how music formed an influence not only within its own sphere, but also within other artistic and cultural activities of the period.
目次
- Introduction - database methodology, Christina Bashford. Part 1 Church music: psalmody singing and the role of the barrel organ in the Anglican Church of the 19th century, Christopher Turner
- a bright exception to the general rule? - musical standards at Christ Church cathedral Dublin in the early 19th century, Barra Boydell
- John Fawcett of Bolton - "the changing face of psalmody", Sally Drage
- church music in Durham cathedral in the 19th century, Brian Crosby
- 19th-century repertoire and performance practice at Westminster Abbey, David Knight. Part 2 Opera and oratorio: Mackenzie's "The Rose of Sharon" - continental prima donna or Norfolk lass?, Duncan Barker
- a Spaniard in Queen Victoria's court - Isaac Albeniz, Francis Money-Coutts and "the national trilogy" King Arthur, Walter A. Clark
- constructing Ireland - culture and politics in Stanford's "Shamus O'Brien", Jean Marie Hoover. Part 3 Reception and performance: Mendelssohn's canonical status in England, the revolutions of 1848, and H.F. Chorley's "retrogressive" ideology of artistic genius, Robert Bledsoe
- "often seene, but seldome sung" - 18th- and 19th-century manuscripts of Thomas Tallis's "Spem in alium", Sue Cole
- the piano concertos of Mozart and Beethoven - early performances in 19th-century London, Therese Ellsworth
- legitimate, phenomenal and eccentric - pianists and pianism in late 19th-century London, Dorothy de Val. Part 4 Analysis and the history of analysis: the "analytical" content of the concert programme note re-examined - its growth and influence in 19th-century Britain, Catherine Dale
- modulation gone mad, Peter Horton
- fantasy and hybridization in British orchestral variations, Jeremy Dibble. Part 5 Art and poetry: aspiring to the condition of music - painting in Britain 1860-1900, Suzanne Fagence Cooper
- the influence of 19th-century musical agogics on Gerard Manley Hopkins' poetic theory and practice, Christopher Wilson
- words and music - Bridges, Parry and the "Invocation", Michael Allis.
- 巻冊次
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Vol. 3 ISBN 9780754636144
内容説明
Selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton foregrounds some of the questions that are key to this area of study: what is the nineteenth century? what is British music? and did London influence the continent? The essays which follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.
目次
- Contents: Introduction
- Learning in London, Julian Rushton
- Issues of gender: 'Leadership of fashion in musical thought': the importance of Rosa Newmarch in the context of turn-of-the-century British styles of music appreciation, Charlotte Purkis
- Hym(n)ing: music and masculinity in the early Victorian church, Grant Olwage
- The construction of a cultural icon: the case of Jenny Lind, George Biddlecombe
- Church music: 'Hark an awful voice is sounding': redefining the English Catholic hymn repertory through The Westminster Hymnal of 1912, Thomas Muir
- Ancient and modern in the work of Sir John Stainer, Nicholas Temperley
- '...the highest point up to that time reached by the combination of Hebrew and Christian sentiment in music', Peter Horton
- National identity: 'Unfurl the flag and Federate': flags as a representation of patriotism and nationalism in Australian Federation songs, 1880-1906, Peter Campbell
- English national identity and the comic operas of Gilbert and Sullivan, Derek Scott
- Singing the songs of Scotland: the German musician Johann Rupprecht DA1/4rrner and musial life in 19th-century Edinburgh, Barbara Eichner
- National and local institutions: Another string to his bow: the composer conducts, Duncan Barker
- Vincent Novello and the Philharmonic Society of London, Fiona Palmer
- The Oxford commemorations and 19th-century British festival culture, Susan Wollenberg
- One equal music: the emergence of the Royal College of Music, Giles Brightwell
- The family von Glehn, Valerie Langfield
- Index.
- 巻冊次
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Vol. 1 ISBN 9781840142594
内容説明
Although often labelled over-sentimental, 19th century British music offers much. Rather than dealing directly with the artistic value of the music, these essays discuss factual and technical information, musical life in 19th century Britain and music's place in this period of sweeping change.
目次
- Part 1 Xenophilia in British musical history. Part 2 Historiography: history, historicism and the sublime analogy
- Parry as historiographer. Part 3 Instruments performing ensembles: who bought concertinas in the winter of 1851?
- violin pedagogy in England during the first half of the 19th century, or "The Incomplete Tutor for the Violin"
- the practice and context of a private Victorian brass band. Part 4 The Wesley family: the obitury of Samuel Wesley
- the unknown Wesley - the early instrumental and secular vocal music of Samuel Sebastian Wesley. Part 5 Local music history: musical life in the "second city of the Empire"
- music in 19th century Oxford
- music making in a Yorkshire country house. Part 6 Repertoire, genre and concert life: "Personifying the Saviour?" - English oratorio and the representation of the words of Christ
- the benefit concert in 19th century London - from "tax on the nobility" to "monstrous nuisance". Part 7 Analysis and criticism: towards a tradition of music analysis in Britain in the 19th century
- James William Davison, critic, crank and chronicler - a re-evaluation.
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