Love in Asian art & culture
Author(s)
Bibliographic Information
Love in Asian art & culture
(Asian art & culture)
Arthur M. Sackler Gallery, Smithsonian Institution , In association with the University of Washington Press, c1998
- : pbk
- Other Title
-
Love in Asian art and culture
Love
Available at 14 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
In China, mandarin ducks, said to mate for life, symbolize wedded bliss, and tiny red shoes are viewed as sexually arousing. In Japan, black hair once alluded covertly to passion and in the 20th century is explicitly erotic. Love is divine in India, enduring in temple sculpture in the form of rapturous couples, the territory of gods as well as mortals.Rich, wildly varied imagery infuses the art and literature of love in Asia. The universal themes of love denied, love fulfilled, of courtship, passion, and fertility are here treated in lively, color-illustrated essays by five distinguished contributors. Early Chinese art alluding to the theme of romance is explored along with the 13th-century tale, The Story of the Western Wing. Also examined are the Japanese One Hundred Poets, a luxury volume of poems assembled in the 17th century, and modern poetry by such writers as Takamura Kotaro. Stunning Rajput painting and poetry, the fascinating role of the sakhi, or messenger, in love-intrigues, and the dynamic temple sculpture at Khajuraho are featured in engrossing chapters about India. Whether depicting the theme of love as explicit embrace or entwined plum tree branches, Asian artists offer, in these compelling works of art and literature, continuing avenues of inspiration, sustenance, and delight.
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