Crazy Ji : Chinese religion and popular literature
Author(s)
Bibliographic Information
Crazy Ji : Chinese religion and popular literature
(Harvard-Yenching Institute monograph series, 48)
Harvard University Asia Center , Distributed by Harvard University Press, 1998
- : hbk
- : pbk
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [289]-311) and index
"A major portion of chapter 3 was published under the title 'Enlightened monk or arch-magician? the portrayal of the God Jigong in sixteenth-century novel Jidian yule,' in Proceedings of International Conference on Popular Beliefs and Chginese Culture (Taipei: Center for Chinese Studies, 1994)"--Acknowledgements
Description and Table of Contents
Description
Crazy Ji is one of the most colourful deities in the pantheon of late imperial and modern China. The author uses the evolution of his cult to address central questions regarding Chinese religious tradition, its relation to social structure, and the role of vernacular fiction and popular media in shaping religious beliefs. Shahar demonstrates that vernacular novels and oral literature played a major role in the dissemination of knowledge about deities and the growth of cults and argues that the body of religious beliefs and practices we call "Chinese religion" is inseperable from the works of fiction and drama that have served as vehicles for its transmission.
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