Looking West
Author(s)
Bibliographic Information
Looking West
(Contemporary ethnography series)
University of Pennsylvania, c1999
- : hbk
- : pbk
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [229]-238) and index
Description and Table of Contents
- Volume
-
: pbk ISBN 9780812214406
Description
The American West is a region, perhaps more than any other in the United States, that comes to us in visual terms. The grand landscapes, open vistas, and magisterial views have made the act of looking a defining feature of how we experience the West as an actual place. In Looking West, John D. Dorst examines a largely neglected pattern of seeing that stands in contrast to the universally familiar iconography.
When we engage in the act of looking, contends Dorst, we inevitably do so according to historically determined patterns-"discourses of seeing." It is a central premise of Looking West that over roughly the last one hundred years the American West, both as a physical location and as an imagined place, has been an important laboratory for the production of modern visual discourses.
Through a series of Western texts-folkloric, photographic, literary, and historical-Dorst outlines another pattern of looking West, one characterized by optical distortion, faulty vision, and the ambiguous intersection of spectatorship, display, and covert observation. He applies the insights gained from this analysis of discursive patterns to various cultural displays located in the contemporary West. In a series of ethnographic case studies-two folk art displays, a Western heritage theme park, and Devils Tower National Monument-he shows how this other discourse plays out at actual sites and institutions.
Dorst offers an account of visual practices that, though dressed in the images and narratives of the American West, are in fact characteristic of our modern consumer culture in general. This interdisciplinary combination of discursive analysis with ethnographic observation and material culture interpretation makes Looking West an original contribution to the fields of visual culture studies, American studies, and Western studies.
- Volume
-
: hbk ISBN 9780812231731
Description
The American West is a region, perhaps more than any other in the United States, that comes to us in visual terms. The grand landscapes, open vistas, and magisterial views have made the act of looking a defining feature of how we experience the West as an actual place. In Looking West, John D. Dorst examines a largely neglected pattern of seeing that stands in contrast to the universally familiar iconography.
When we engage in the act of looking, contends Dorst, we inevitably do so according to historically determined patterns--"discourses of seeing." It is a central premise of Looking West that over roughly the last one hundred years the American West, both as a physical location and as an imagined place, has been an important laboratory for the production of modern visual discourses.
Through a series of Western texts--folkloric, photographic, literary, and historical--Dorst outlines another pattern of looking West, one characterized by optical distortion, faulty vision, and the ambiguous intersection of spectatorship, display, and covert observation. He applies the insights gained from this analysis of discursive patterns to various cultural displays located in the contemporary West. In a series of ethnographic case studies--two folk art displays, a Western heritage theme park, and Devils Tower National Monument--he shows how this other discourse plays out at actual sites and institutions.
Dorst offers an account of visual practices that, though dressed in the images and narratives of the American West, are in fact characteristic of our modern consumer culture in general. This interdisciplinary combination of discursive analysis with ethnographic observation and material culture interpretation makes Looking West an original contribution to the fields of visual culture studies, American studies, and Western studies.
by "Nielsen BookData"