Making history for Stalin : the story of the Belomor Canal
著者
書誌事項
Making history for Stalin : the story of the Belomor Canal
University Press of Florida, 1998
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [235]-243) and index
内容説明・目次
内容説明
The Belomor Canal, exalted in the 1930s by the Stalinist press, came to symbolize what was morally deplorable in Stalinism. The author reconstructs the Canal project as a pivotal social, political, historical and, most important, literary event. Built with forced labour, the Belomor project has been a forbidden topic for half a century. With access to opened archives and to interviews with Canal construction survivors themselves, Ruder examines the project and its attendant literary works - drama, poetry, novels and the collectively written ""History of the Construction of the Stalin White Sea-Baltic Canal"" - to create an understanding of Stalinist culture. She argues that the project was the first to institutionalize the philosophy of ""perekovka"", the idea that a new people who personify the Soviet Union in action and deed could be created through forced labour and ideological re-education. As both a construction project and a literary event, Belomor was characterized by contradictions: enthusiasm versus revulsion, good will versus cynicism, self-destruction versus self-preservation, and scorn for the West versus a desperate hunger to impress it. Ruder shows that these juxtapositions capture the tension that infused many other events at the time, turning Belomor into a microcosm of life and literature in Soviet Russia.
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