Landscape and Western art
著者
書誌事項
Landscape and Western art
(Oxford history of art, Special volumes)
Oxford University Press, 1999
- : hb
- : pbk
大学図書館所蔵 全40件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 236-242) and index
内容説明・目次
内容説明
What is landscape? How does it differ from "land"? Does landscape always imply something to be pictured, a scene? When and why did we begin to cherish images of nature? What is "nature"? Is it everything that isn't art or artefact? This book explores many issues raised by the range of ideas and images of the natural world in Western art since the Renaissance. Using a thematic structure many issues are examined, for instance: landscape as a cultural construct; the relationship between landscape as accessory or backdrop and landscape as the chief subject; landscape as constituted by various practices of framing; the sublime and ideas of indeterminacy; and landscape art as picturesque or as exploration of living processes. These issues are raised and explored in connection with Western cultural movements, and within a full international and historical context. Many forms of landscape art are included: painting, gardening, panorama, poetry, photography, and art. The book is designed to both take stock of interdisciplinary debates and act as a stimulus to rethinking assumptions about landscape.
目次
- Land into landscape
- landscape and terza natura
- subject or setting? landscape in C15 and C16 painting
- topography and the beau ideal
- framing the view
- the sublime
- political landscape
- nature as picture or process?
- landscape and the art gallery.
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