Bibliographic Information

Degas and New Orleans : a French impressionist in America

Gail Feigenbaum ; catalogue by Jean Sutherland Boggs ; essays by Christopher Benfey ... [et al.]

New Orleans Museum of Art, in conjunction with Ordrupgaard , Distributed by Rizzoli International, c1999

  • : pbk

Other Title

A French impressionist in America

Available at  / 8 libraries

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Note

Catalogue of exhibitions held at New Orleans Museum of Art, New Orleans, May 1-Aug. 29, 1999; Ordrupgaard, Copenhagen, Sept. 16-Nov. 28, 1999

Includes bibliographical references (p. 299-301)

Description and Table of Contents

Volume

ISBN 9780894940729

Description

A fascinating account of Edgar Degas's 1872 visit to New Orleans, the only time a French Impressionist visited the United States, offers color and black-and-white illustrations that capture the unique connection that existed between the cultures of France and Louisiana.
Volume

: pbk ISBN 9780894940736

Description

Edgar Degas is admired today as the quintessential artist of Paris: painter of ballet dancers, bathers, and laundresses, of the racetrack and the theater. Degas and New Orleans: A French Impressionist in America explores a different Degas in another place: a sojourner with his family in New Orleans, on the unique occasion when the subtlest and most advanced ideas of French painting alighted on the banks of the Mississippi River. Degas and New Orleans accompanies a major exhibition that reassembles most of the fascinating art that Degas created during his visit and places this work in its remarkable context of family drama and American history. In addition to the works generally believed to have been executed by Degas in New Orleans, the book includes paintings, pastels, drawings, prints and sculpture done in Europe that reflect Degas's relationship to the city and that are specifically related in theme or style, or are very close in date. Finally, to help clarify its character, the New Orleans work is complemented by a selection of Degas's typical subjects, such as dancers and racetracks. Family letters, documents, heirlooms, and vintage photographs from the period help to summon forth the context of the sole visit to America by a French Impressionist.

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