Contemporary African art
Author(s)
Bibliographic Information
Contemporary African art
(World of art)
Thames & Hudson, 1999
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
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Graduate School of Asian and African Area Studies, Kyoto Universityアフリカ専攻
702.4||Kas200018849643
Note
Includes bibliographical references (p. 214-217) and index
Description and Table of Contents
Description
This critical history examines the major themes and accomplishments in African art since 1950, achieving an impressive balance between a critical re-examination of frequently discussed artists, groups and workshops and the introduction of less publicized or more recent works.
With chapters on African popular culture, the shifting identity of the African artist, national culture and migration, Contemporary African Art shows how transformations in patronage, training and literacy have brought about the birth of new genres which have been propelled onto a world stage, and now excite huge interest internationally.
Table of Contents
- New genres - inventing African popular culture
- transforming the workshop
- patrons and mediators
- art and commodity
- the African artist - shifting identities in the postcolonial world
- the idea of a national culture - decolonizing African art
- migration and displacement.
by "Nielsen BookData"