The mouth that begs : hunger, cannibalism, and the politics of eating in modern China : 吃
著者
書誌事項
The mouth that begs : hunger, cannibalism, and the politics of eating in modern China : 吃
（Post-contemporary interventions / series editors, Stanley Fish & Fredric Jameson）
Duke University Press, 1999
- : hbk
- : pbk
大学図書館所蔵 件 / 全13件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [419]-433) and index
Revision of the author's thesis (doctral)--University of Oregon, 1993
"Portions of chapter 5 were originally published under the title " Surviving (in) the 'Chess King': Toward a Postrevolutionary Nation-Narration" in positions 3, no. 2 (fall 1995) by Duke University Press"--Acknowledgements
内容説明・目次
内容説明
The Chinese ideogram chi is far richer in connotation than the equivalent English verb "to eat." Chi can also be read as "the mouth that begs for food and words." A concept manifest in the twentieth-century Chinese political reality of revolution and massacre, chi suggests a narrative of desire that moves from lack to satiation and back again. In China such fundamental acts as eating or refusing to eat can carry enormous symbolic weight. This book examines the twentieth-century Chinese political experience as it is represented in literature through hunger, cooking, eating, and cannibalizing. At the core of Gang Yue's argument lies the premise that the discourse surrounding the most universal of basic human acts-eating-is a culturally specific one.
Yue's discussion begins with a brief look at ancient Chinese alimentary writing and then moves on to its main concern: the exploration and textual analysis of themes of eating in modern Chinese literature from the May Fourth period through the post-Tiananmen era. The broad historical scope of this volume illustrates how widely applicable eating-related metaphors can be. For instance, Yue shows how cannibalism symbolizes old China under European colonization in the writing of Lu Xun. In Mo Yan's 1992 novel Liquorland, however, cannibalism becomes the symbol of overindulgent consumerism. Yue considers other writers as well, such as Shen Congwen, Wang Ruowang, Lu Wenfu, Zhang Zianliang, Ah Cheng, Zheng Yi, and Liu Zhenyun. A special section devoted to women writers includes a chapter on Xiao Hong, Wang Anyi, and Li Ang, and another on the Chinese-American women writers Jade Snow Wong, Maxine Hong Kingston, and Amy Tan. Throughout, the author compares and contrasts the work of these writers with similarly themed Western literature, weaving a personal and political semiotics of eating.
The Mouth That Begs will interest sinologists, literary critics, anthropologists, cultural studies scholars, and everyone curious about the semiotics of food.
目次
Acknowledgments ix
Introduction 1
I. The Social Embodiment of Modernity 61
II. Writing Hunger: From Mao to the Dao 145
III. The Return (of) Cannibalism after Tianamen, or Red Monument in a Latrine Pit 222
IV. Sampling of Variety: Gender and Cross-Cultural Perspectives 289
Conclusion 372
Notes 383
Glossary 407
Bibliography 419
Index 435
「Nielsen BookData」 より