The philosophy & aesthetics of music
著者
書誌事項
The philosophy & aesthetics of music
University of Nebraska Press, c1999
- : pbk
- タイトル別名
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Philosophy and aesthetics of music
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注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
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ISBN 9780803229129
内容説明
Edward A. Lippman's writings on musical aesthetics comprise a wide variety of areas and employ both systematic and historical approaches, reflecting throughout his unrivaled knowledge of the philosophical literature on music and his deep understanding of the musical repertory. These essays span a broad range of subjects, from the ancients' sense of what music encompasses to the experience of rhythm in Anton Webern's work. Lippman surveys the physical and physiological factors that condition musical perception, and he explores the effect of sung text in vocal music.In the more purely philosophical realm, he argues persuasively that music speaks in its own terms, not in any formalistic sense but through the symbolic meanings it conveys. The historically focused essays include investigations of the aesthetic thinking of Wagner and Schumann, an endeavor that leads Lippman to probe the sources and drives behind musical creativity. Elsewhere he explores the development of particular musical styles.
"The Philosophy and Aesthetics of Music" draws upon both philosophy and musicology in demonstrating how the interpretation of music extends far beyond the scope of conventional theory and analysis. Edward A. Lippman is a professor emeritus of music at Columbia University. He is the author or editor of several books, including "A History of Western Musical Aesthetics" (Nebraska 1992). Christopher Hatch was a lecturer in music at Columbia University for almost forty years and has written numerous articles and book reviews.
目次
Contents: IntroductionPart 1: Philosophy and AestheticsSymbolism in Music Spatial Perception and Physical Location as Factors in Music Progressive Temporality in Music Reflections on the Aesthetics of Strophic SongPart 2: Historical and Critical Studies The Place of Music in the System of Liberal ArtsThe Place of Aesthetics in Theoretical Treatises on MusicAn Interpretation of Bach's Ich folge dir gleichfallsThe Tonal Ideal of RomanticismTheory and Practice in Schumann's AestheticsThe Aesthetic Theories of Richard WagnerThe Formation of Wagner's StyleWagner's Conception of the DreamIndex
- 巻冊次
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: pbk ISBN 9780803279841
内容説明
Edward A. Lippman's writings on musical aesthetics comprise a wide variety of areas and employ both systematic and historical approaches, reflecting throughout his unrivaled knowledge of the philosophical literature on music and his deep understanding of the musical repertory. These essays span a broad range of subjects, from the ancients' sense of what music encompasses to the experience of rhythm in Anton Webern's work. Lippman surveys the physical and physiological factors that condition musical perception, and he explores the effect of sung text in vocal music. In the more purely philosophical realm, he argues persuasively that music speaks in its own terms, not in any formalistic sense but through the symbolic meanings it conveys.The historically focused essays include investigations of the aesthetic thinking of Wagner and Schumann, an endeavor that leads Lippman to probe the sources and drives behind musical creativity. Elsewhere, he explores the development of particular musical styles.
"The Philosophy and Aesthetics of Music" draws upon both philosophy and musicology in demonstrating how the interpretation of music extends far beyond the scope of conventional theory and analysis. Edward A. Lippman is a professor emeritus of music at Columbia University. He is the author or editor of several books, including "A History of Western Musical Aesthetics" (Nebraska 1992). Christopher Hatch was a lecturer in music at Columbia University for almost forty years and has written numerous articles and book reviews.
目次
Contents: IntroductionPart 1: Philosophy and AestheticsSymbolism in Music Spatial Perception and Physical Location as Factors in Music Progressive Temporality in Music Reflections on the Aesthetics of Strophic SongPart 2: Historical and Critical Studies The Place of Music in the System of Liberal ArtsThe Place of Aesthetics in Theoretical Treatises on MusicAn Interpretation of Bach's Ich folge dir gleichfallsThe Tonal Ideal of RomanticismTheory and Practice in Schumann's AestheticsThe Aesthetic Theories of Richard WagnerThe Formation of Wagner's StyleWagner's Conception of the DreamIndex
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