Narrative and stylistic patterns in the films of Stanley Kubrick
著者
書誌事項
Narrative and stylistic patterns in the films of Stanley Kubrick
（European studies in American literature and culture / edited by Reingard M. Nischik）
Camden House, 1999
大学図書館所蔵 全4件
注記
Includes bibliographical references (p. [247]-251) and index
内容説明・目次
内容説明
Garcia Mainar's critical study of the films of the late Stanley Kubrick includes analysis of all Kubrick's films except his last work, the recently released Eyes Wide Shut, and offers both a formal analysis of the films based on style and narrative pattern, and a theoretical, postmodernist approach to ideas presented in the films. Garcia Mainar is particularly concerned with analyzing the relevance of spectacle in Kubrick's films, seeing it as a disruptive mechanism that can call into question the value and necessity of communication. He identifies different kinds of spectacle in the films, and proceeds to a detailed examination of these different forms in 2001 A Space Odyssey, Barry Lyndon, and Full Metal Jacket. Luis M. Garcia Mainar teaches English at the University of Zaragoza, Spain.
目次
- Introduction Poetics Modifications of Accounts of Film as Narrative, Motivated by the Previous Analysis of Poetics 2001: A Space Odyssey(168)
- or, A Journey toward Ambiguity Barry Lyndon(1975)
- or, the Comfort Tradition Full Metal Jacket(1987)
- One Possible Answer Conclusion
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