Material memories : design and evocation

著者

書誌事項

Material memories : design and evocation

edited by Marius Kwint, Christopher Breward and Jeremy Aynsley

(Materializing culture / series editors, Paul Gilroy, Michael Herzfeld and Daniel Miller)

Berg, 1999

  • : pbk
  • : hc

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注記

Title from cover

Includes index

内容説明・目次

巻冊次

: hc ISBN 9781859732472

内容説明

This book examines the way that objects 'speak' to us through the memories that we associate with them. Instead of viewing the meaning of particular designs as fixed and given, by looking at the process of evocation it finds an open and continuing dialogue between things, their makers and their consumers. This is not, however, to diminish the role of design in shapinghuman consciousness. The contributors do not view objects as blank carriers onto which humans project prior psychic dramas, but rather, place crucial importance on the precise materials from which they are made, their social, economic and historic reasons for being, and the way that we interact with them through our senses. This book therefore studies the physical withinthe intellectual, directly testing the concept of material culture. With telling illustrations, and spanning the Renaissance to the present day, leading scholars converge across disciplines to explore the souvenir-value of jewellery, textiles, the home, the urban space, modernist design, photography, the museum and even the sunken wreck. Together they show howthe sense of the past and of history, far from being a 'radical illusion' as some post-modernists claim, has been a deeply felt reality.

目次

  • Part One The Material and the Mortal: wearing memory - hair, jewellery and the body
  • the sampler - memory, suicide and charity. Part Two Design and Domestic Memories: toys for girls - exemplary objects, women and visual memory in the Renaissance household
  • modernism and memory - leaving traces
  • souvenirs and forgetting - Walter Banjamin's memory work. Part Three Fabricating the Past: empty rooms - exercising the Victorian imagination
  • embroidering the ties of empire - the Lord Grtey Banners
  • remembering the pageant master - Frank Lascelles in Sibford Gower, 1875-2000. Part Four The Ephermeral and the Monumental: civic memory in early modern Norwich
  • from the "Arengario" to the inscription - fascist claims reviewed. Part Five The Reproduction of Memories: photographs as objects of memory
  • the "Titanic" - an object for exhibition at the bottom of the sea.
巻冊次

: pbk ISBN 9781859732526

内容説明

This book examines the way that objects 'speak' to us through the memories that we associate with them. Instead of viewing the meaning of particular designs as fixed and given, by looking at the process of evocation it finds an open and continuing dialogue between things, their makers and their consumers. This is not, however, to diminish the role of design in shapinghuman consciousness. The contributors do not view objects as blank carriers onto which humans project prior psychic dramas, but rather, place crucial importance on the precise materials from which they are made, their social, economic and historic reasons for being, and the way that we interact with them through our senses. This book therefore studies the physical withinthe intellectual, directly testing the concept of material culture. With telling illustrations, and spanning the Renaissance to the present day, leading scholars converge across disciplines to explore the souvenir-value of jewellery, textiles, the home, the urban space, modernist design, photography, the museum and even the sunken wreck. Together they show howthe sense of the past and of history, far from being a 'radical illusion' as some post-modernists claim, has been a deeply felt reality.

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詳細情報

  • NII書誌ID(NCID)
    BA44418628
  • ISBN
    • 1859732526
    • 185973247X
  • 出版国コード
    uk
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Oxford ; New York
  • ページ数/冊数
    xiv, 257 p.
  • 大きさ
    24 cm
  • 分類
  • 件名
  • 親書誌ID
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