Democratic artworks : politics and the arts from Trilling to Dylan

Author(s)

    • Hersch, Charles

Bibliographic Information

Democratic artworks : politics and the arts from Trilling to Dylan

Charles Hersch

(SUNY series, interruptions : border testimony(ies) and critical discourse/s)

State University of New York Press, c1998

  • : hbk
  • : pbk

Available at  / 2 libraries

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Note

Includes bibliographical references and index

***遡及データをもとにした流用入力である

Description and Table of Contents

Description

Focusing on a period in which the meaning of democracy came to the forefront of public debate, the fifties and sixties, the author argues that the arts can strengthen democracy by politically educating citizens. Hersch addresses this issue by first looking at the ideas of Lionel Trilling and the New York Intellectuals in the 1950s, as expressed through literature and social commentary, and then by showing how jazz and rock musicians in the 1960s, through their individual songs and performances, expressed the ideas and ideals of the political movements of that decade. Democratic Artworks is the first to consider the New York Intellectuals, sixties jazz, or Bob Dylan from the perspective of political theory and to focus on their contributions to democracy.

Table of Contents

Preface Introduction 1. Literature and Democracy: The New York Intellectuals 2. Liberalism, the Novel, and the Self: Lionel Trilling and the Dilemmas of Political Action 3. The Sixties: Politics, Aesthetics, and Everyday Life 4. "Let Freedom Ring!": Jazz and African American Politics, 1950-1970 5. Authenticity and Surreality: Bob Dylan, the New Left, and the Counterculture Conclusion Notes Index

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