Captive bodies : postcolonial subjectivity in cinema
Author(s)
Bibliographic Information
Captive bodies : postcolonial subjectivity in cinema
（SUNY series, cultural studies in cinema/video）
State University of New York Press, c1999
- : pbk
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Note
Includes bibliographical references (p. 211-230) and index
Description and Table of Contents
Description
Captive Bodies examines the film industry's fascination with bondage and captivity, seeking to revisualize American cinema through the lens of critical discourse on captivity narratives, slave narratives, and postcolonial critiques of cinematic constructions of "whiteness," "blackness," gender, and sexuality. Captivity is also examined here in relation to both those in front and behind the camera. Are we "subject" to others? Are we "bound" and "captive" in images? Are we "captive" bodies and "captive" audiences, held hostage to the spectacles of voyeuristic pleasure? Are those behind the camera involved in a process not unlike that of the slave system, enslaving the body in the image? To answer these and other questions, Captive Bodies draws upon a wide range of critical methodologies, including postcolonial studies, feminist film criticism, anthropology, and phenomenology.
Table of Contents
List of Illustrations
Acknowledgments
Introduction
1. Images of Bondage: Captive Bodies
2. A Plantocracy of Images
3. Captive Sexualities
4. Doubly Bound: The Postcolonial Resistant Body
5. Disciplining Discourse
Works Cited and Consulted
About the Author
Index
by "Nielsen BookData"