Inventing the Louvre : art, politics, and the origins of the modern museum in eighteenth-century Paris

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書誌事項

Inventing the Louvre : art, politics, and the origins of the modern museum in eighteenth-century Paris

Andrew McClellan

University of California Press, 1999, c1994

  • : pbk

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注記

Originally published: Cambridge, England ; New York : Cambridge University Press, 1994

Includes bibliographical references (p. 270-277) and index

内容説明・目次

内容説明

Founded in the final years of the Enlightenment, the Louvre--with the greatest collection of Old Master paintings and antique sculpture assembled under one roof--became the model for all state art museums subsequently established. Andrew McClellan chronicles the formation of this great museum from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire. More than a narrative history, McClellan's account explores the ideological underpinnings, pedagogic aims, and aesthetic criteria of the Louvre. Drawing on new archival materials, McClellan also illuminates the art world of eighteenth-century Paris.

目次

List of Illustrations Acknowledgments Introduction I The Luxembourg Gallery, I750-79 2 D' Angiviller's Louvre Project 3 The Revolutionary Louvre 4 The Musee Central des Arts 5 Alexandre Lenoir and the Museum of French Monuments Conclusion Appendix I Arrangement of Paintings in the Luxembourg Gallery, I750 Appendix II D' Angiviller's Grands Hommes of France, by Salon Appendix III Partial Reconstruction of the Hanging Scheme at the Musee Central des Arts in I797-8 Abbreviations Used in Notes Notes Bibliography Photographic Credits Index

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