Let jasmine rain down : song and remembrance among Syrian Jews
著者
書誌事項
Let jasmine rain down : song and remembrance among Syrian Jews
(Chicago studies in ethnomusicology)
University of Chicago Press, 1998
- : cloth : alk. paper
- : pbk. : alk. paper
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 267-277), discography (p. 277), and index
内容説明・目次
- 巻冊次
-
: cloth : alk. paper ISBN 9780226752112
内容説明
When Jews left Aleppo, Syria, in the early-20th century and established communities abroad, they carried with them a repertory of songs (pizmonim) with sacred Hebrew texts set to melodies borrrowed from the popular Middle Eastern Arab musical tradition. This text tells the story of the "pizmonim" as they have continued to be composed, performed and transformed through the present day; it is thus an ethnography of an important Judeo-Arabic musical tradition that contributes to studies of the link between collective memory and popular culture. Kay Kaufman Shelemay views the intersection of music, individual remembrances and collective memory through the "pizmonim". Reconstructing a century of "pizmonim" history in America based on research in New York, Mexico and Israel, she explains how verbal and musical memories are embedded in individual songs and how these songs perform both what has been remembered and what otherwise would have been forgotten. In confronting issues of identity and meaning in a postmodern world, Shelemay moves ethnomusicology in to the domain of memory studies.
目次
List of Illustrations Author's Note Acknowledgments Jasmine: Poem on Sandpaper Introduction Prelude: Sur Yah El 1: Song and Remembrance Prelude: Attah El Kabbir 2: Music and Migration in a Transnational Community Prelude: Ani Ashir Lakh 3: A Judeo-Arab Musical Tradition Prelude: Ramah Evarai 4: Lived Musical Genres Prelude: Yehidah Hitna'ari 5: Individual Creativity, Collective Memory Prelude: Melekh Rahaman 6: Conclusion: A Community in Song Embroidered Rag: Poem on Umm Kulthum Notes Glossary Contents of Compact Disc Bibliography Discography Formal Interviews Music Sessions Index
- 巻冊次
-
: pbk. : alk. paper ISBN 9780226752129
内容説明
When Jews left Aleppo, Syria, in the early-20th century and established communities abroad, they carried with them a repertory of songs (pizmonim) with sacred Hebrew texts set to melodies borrrowed from the popular Middle Eastern Arab musical tradition. This text tells the story of the "pizmonim" as they have continued to be composed, performed and transformed through the present day; it is thus an ethnography of an important Judeo-Arabic musical tradition that contributes to studies of the link between collective memory and popular culture. Kay Kaufman Shelemay views the intersection of music, individual remembrances and collective memory through the "pizmonim". Reconstructing a century of "pizmonim" history in America based on research in New York, Mexico and Israel, she explains how verbal and musical memories are embedded in individual songs and how these songs perform both what has been remembered and what otherwise would have been forgotten. In confronting issues of identity and meaning in a postmodern world, Shelemay moves ethnomusicology in to the domain of memory studies.
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