The historical performance of music : an introduction
Author(s)
Bibliographic Information
The historical performance of music : an introduction
（Cambridge handbooks to the historical performance of music）
Cambridge University Press, 1999
- : hb
- : pb
Available at 16 libraries
Note
Includes bibliographical references (p. 199-208) and index
Description and Table of Contents
Description
Offering students and performers a concise overview of historical performance, this 1999 book takes into account the many significant developments in the discipline. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer's original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c.1700-c.1900, the core period which forms the principal (though not exclusive) focus for the whole series.
Table of Contents
- 1. Music as history
- 2. The application of primary sources
- 3. Changes in musical style
- 4. Conditions and practices
- 5. Case studies in ensemble music
- 6. The continuing debate.
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