The politics of Irish drama : plays in context from Boucicault to Friel
著者
書誌事項
The politics of Irish drama : plays in context from Boucicault to Friel
（Cambridge studies in modern theatre）
Cambridge University Press, 1999
- : hbk
- : pbk
大学図書館所蔵 件 / 全28件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 290-300) and index
内容説明・目次
内容説明
In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national self-expression. Here it is argued that Irish plays, in their self-conscious representation of the otherness of Ireland, are outwardly directed towards audiences both at home and abroad. The political dynamics of such relations between plays and audiences is the book's multiple subject: the stage interpretation of Ireland from The Shaughraun to Translations; the contentious stage images of Yeats, Gregory and Synge; reactions to revolution from O'Casey to Behan; the post-colonial worlds of Purgatory and All that Fall; the imagined Irelands of Friel and Murphy, McGuinness and Barry. With its fundamental reconception of the politics of Irish drama, this book represents an alternative view of the phenomenon of Irish drama itself.
目次
- Acknowledgements
- Chronology
- List of abbreviations
- Introduction
- 1. Stage interpreters
- 2. Strangers in the house
- 3. Shifts in perspective
- 4. Class and space in O'Casey
- 5. Reactions to revolution
- 6. Living on
- 7. Versions of pastoral
- 8. Murphy's Ireland
- 9. Imagining the other
- Conclusion: a world elsewhere
- Notes
- Bibliography
- Index.
「Nielsen BookData」 より