Notations and editions : a book in honor of Louise Cuyler
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書誌事項
Notations and editions : a book in honor of Louise Cuyler
W. C. Brown Co, [1974]
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注記
***遡及データをもとにした流用入力である
Includes music
収録内容
- McPeek, G. S. Medieval monophonic song: Kalenda maia by Raimbault de Vagueiras
- Tischler, H. A comparison of two manuscripts: Fole acoustumance
- White, J. R. Lyonel Power's Sanctus
- Reese, G. An editorial problem in a Mass by Heinrich Isaac
- Warburton, T. A German organ tablature: Dies est laetitiae
- Watkins, G. E. A madrigal in four voices: La mia doglia s'avanza (1613) by Pomponio Nenna
- Cohen, A. A study of notational and performance problems of an early air de cour: Je voudrois bien, ô Cloris (1629) by Antoine Boësset
- Clark, J. B. Some problems of transcribing music with many sources: the verse anthem O praise God in His holiness by Edward Smith
- Warner, R. A. English consort music: Fancy and ayre in G minor (c. 1660) by John Jenkins
- Hitchcock, H. W. Some aspects of notation in an Alma Redemptoris Mater (c. 1670) by Marc-Antoine Charpentier
- Harris, C. D. Problems in editing harpsichord music: Suite in D by Ferdinand Tobias Richter
- Reilly, E. R. A realization by J. C. Heck: an Affettuoso di molto by Johann Joachim Quantz
- Kollen, J. L. Robert Alexander Schumann: Tema, op. 13
- Borroff, E. Spelling and intention: a setting of William Alexander Percy's lyric A sea-bird (1933) by Irwin Fischer
- Finney, R. L. Concerning my Fantasy in two movements
- Borroff, E. A new notation: Soliloquies for violin and piano (1971) by Paul Cooper