The male image : representations of masculinity in postwar poetry

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書誌事項

The male image : representations of masculinity in postwar poetry

Ian Gregson

Macmillan , St. Martin's Press, 1999

  • : uk
  • : us

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注記

Includes bibliographical references (p. 194-201) and index

内容説明・目次

内容説明

This text discusses how masculinity is represented by women poets and gay poets but, most of all, how it is represented by straight male poets. It shows how Robert Lowell and John Berryman both identify a gender malaise in themselves which they struggle with throughout their careers, and how Derek Walcott displays a profound gender insecurity in relation to the colonial experience. It discusses the impact on Ted Hughes and Seamus Heaney of their belief in a transcendent feminine principle, and how C.K. Williams and Paul Muldoon display the impact of feminism on male poets who are young enough to have encountered it at a formative period.

目次

Acknowledgements - Introduction - Men and Mermaids: Robert Lowell's Martial Masculinity and Beyond - Berryman and Buried Women - Ted Hughes and the Goddess of Complete Being - Able Seaman and the Penile Canon: Derek Walcott's Adamic Utterance - Sons of Mother Ireland: Seamus Heaney and Paul Muldoon - 'Insofar As They Are Embodiments of the Patriarchal Idea': Women Representing Men - The Politics of Camp: Frank O'Hara and John Ashbery - Creeps and Bastards: C.K. Williams as Voyeur

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