Old Taoist : the life, art, and poetry of Kodōjin (1865-1944)
著者
書誌事項
Old Taoist : the life, art, and poetry of Kodōjin (1865-1944)
Columbia University Press, c2000
- : pbk
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780231116565
内容説明
In the literary and artistic milieu of early modern Japan the Chinese and Japanese arts flourished side by side. Kodojin, the "Old Taoist" (1865-1944), was the last of these great poet-painters in Japan. Under the support of various patrons, he composed a number of Taoist-influenced Chinese and Japanese poems and did lively and delightful ink paintings, continuing the tradition of the poet-sage who devotes himself to study of the ancients, lives quietly and modestly, and creates art primarily for himself and his friends.Portraying this last representative of a tradition of gentle and refined artistry in the midst of a society that valued economic growth and national achievement above all, this beautifully illustrated book brings together 150 of Kodojin's Chinese poems (introduced and translated by Jonathan Chaves), more than 100 of his haiku and tanka (introduced and translated by Stephen Addiss), and many examples of his calligraphy and ink paintings. Addiss's in-depth introduction details the importance of the poet-painter tradition, outlines the life of Kodojin, and offers a critical appraisal of his work, while J.
Thomas Rimer's essay puts the literary work of the Old Taoist in context.
- 巻冊次
-
: pbk ISBN 9780231116572
内容説明
In the literary and artistic milieu of early modern Japan the Chinese and Japanese arts flourished side by side. Kodojin, the "Old Taoist" (1865-1944), was the last of these great poet-painters in Japan. Under the support of various patrons, he composed a number of Taoist-influenced Chinese and Japanese poems and did lively and delightful ink paintings, continuing the tradition of the poet-sage who devotes himself to study of the ancients, lives quietly and modestly, and creates art primarily for himself and his friends. Portraying this last representative of a tradition of gentle and refined artistry in the midst of a society that valued economic growth and national achievement above all, this beautifully illustrated book brings together 150 of Kodojin's Chinese poems (introduced and translated by Jonathan Chaves), more than 100 of his haiku and tanka (introduced and translated by Stephen Addiss), and many examples of his calligraphy and ink paintings. Addiss's in-depth introduction details the importance of the poet-painter tradition, outlines the life of Kodojin, and offers a critical appraisal of his work, while J.
Thomas Rimer's essay puts the literary work of the Old Taoist in context.
目次
Preface and Acknowledgments 1. Kodojin's Life and Art 2. Kodojin's Japanese Poetry 3. Kodojin and the T'ao Ch'ien Tradition in Kanshi Poetry, by Jonathan Chaves 4. Kodojin's Chinese Poetry, translated by Jonathan Chaves 5. A Note on Kodojin and the Art and Literature of His Period, by J. Thomas Rimer Epilogue Notes Index
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