Old Taoist : the life, art, and poetry of Kodōjin (1865-1944)
Author(s)
Bibliographic Information
Old Taoist : the life, art, and poetry of Kodōjin (1865-1944)
Columbia University Press, c2000
- : pbk
Available at 16 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
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  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
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  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
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  Shiga
  Kyoto
  Osaka
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  Wakayama
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  Saga
  Nagasaki
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Note
Includes index
Description and Table of Contents
- Volume
-
ISBN 9780231116565
Description
In the literary and artistic milieu of early modern Japan the Chinese and Japanese arts flourished side by side. Kodojin, the "Old Taoist" (1865-1944), was the last of these great poet-painters in Japan. Under the support of various patrons, he composed a number of Taoist-influenced Chinese and Japanese poems and did lively and delightful ink paintings, continuing the tradition of the poet-sage who devotes himself to study of the ancients, lives quietly and modestly, and creates art primarily for himself and his friends.Portraying this last representative of a tradition of gentle and refined artistry in the midst of a society that valued economic growth and national achievement above all, this beautifully illustrated book brings together 150 of Kodojin's Chinese poems (introduced and translated by Jonathan Chaves), more than 100 of his haiku and tanka (introduced and translated by Stephen Addiss), and many examples of his calligraphy and ink paintings. Addiss's in-depth introduction details the importance of the poet-painter tradition, outlines the life of Kodojin, and offers a critical appraisal of his work, while J.
Thomas Rimer's essay puts the literary work of the Old Taoist in context.
- Volume
-
: pbk ISBN 9780231116572
Description
In the literary and artistic milieu of early modern Japan the Chinese and Japanese arts flourished side by side. Kodojin, the "Old Taoist" (1865-1944), was the last of these great poet-painters in Japan. Under the support of various patrons, he composed a number of Taoist-influenced Chinese and Japanese poems and did lively and delightful ink paintings, continuing the tradition of the poet-sage who devotes himself to study of the ancients, lives quietly and modestly, and creates art primarily for himself and his friends. Portraying this last representative of a tradition of gentle and refined artistry in the midst of a society that valued economic growth and national achievement above all, this beautifully illustrated book brings together 150 of Kodojin's Chinese poems (introduced and translated by Jonathan Chaves), more than 100 of his haiku and tanka (introduced and translated by Stephen Addiss), and many examples of his calligraphy and ink paintings. Addiss's in-depth introduction details the importance of the poet-painter tradition, outlines the life of Kodojin, and offers a critical appraisal of his work, while J.
Thomas Rimer's essay puts the literary work of the Old Taoist in context.
Table of Contents
Preface and Acknowledgments 1. Kodojin's Life and Art 2. Kodojin's Japanese Poetry 3. Kodojin and the T'ao Ch'ien Tradition in Kanshi Poetry, by Jonathan Chaves 4. Kodojin's Chinese Poetry, translated by Jonathan Chaves 5. A Note on Kodojin and the Art and Literature of His Period, by J. Thomas Rimer Epilogue Notes Index
by "Nielsen BookData"