Dreams 1900-2000 : science, art, and the unconscious mind
著者
書誌事項
Dreams 1900-2000 : science, art, and the unconscious mind
(Cornell studies in the history of psychiatry)
Cornell University Press, 2000
- タイトル別名
-
Dreams nineteen hundred to two thousand
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
"Published in conjunction with the exhibition Dreams 1900-2000: science, art, and the unconscious mind, curated by Lynn Gamwell"--Verso of t.p.
Includes bibliographical references and index
内容説明・目次
内容説明
When Sigmund Freud published The Interpretation of Dreams in 1900, he began the modern study of a phenomenon that has fascinated human beings for thousands of years. At the same time he opened a new realm, the unconscious mind, to filmmakers and artists who were inspired by his theories. This beautifully designed and lavishly illustrated book—written to commemorate the centenary of Freud's classic work—examines the shifting roles that dreams have played in twentieth-century art and science.
Over the course of the twentieth century, as scientists have researched the psychology and physiology of dreams, artists from Odilon Redon and Joan Miró to Jenny Holzer, Ingmar Bergman, and Laurie Anderson have produced dramatic images centered in the unconscious. An exploration of this artistic output, this volume features a hundred color and fifty black-and-white illustrations depicting work by a broad range of artists in painting, photography, sculpture, video, film, performance, dance, and other media.
In her opening essay, Lynn Gamwell reviews the psychoanalytic understanding of dreams and explores the ways in which Freud's theories have been interpreted artistically. The next essay, by Ernest Hartmann, traces attempts to link somatic and psychological dimensions of dreaming and to discover parallels between these dimensions and creative thought. In the final essay, Donald Kuspit assesses the impact of the transition from the mystical outlook that human beings held in the nineteenth century to the twentieth-century scientific paradigm for the human mind.
A century of dreamwork is captured in this stunning volume, which concludes with a "dream archive"—an illustrated catalogue raisonné of approximately five hundred examples of twentieth-century art about dreams.
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