A history of modern Chinese fiction
著者
書誌事項
A history of modern Chinese fiction
Indiana University Press, c1999
3rd ed
- : hard
- : pbk
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
First ed. originally published as: A history of modern Chinese fiction, 1917-1957. New Haven, Conn. : Yale University Press, 1961
Includes bibliographical references and index
内容説明・目次
内容説明
"The great virtue of this book is that it provides a practical acquaintance with the writing itself by means of copious passages of translation from representative novels". - New York Times Book Review. "C. T. Hsia's book is by now an acknowledged classic. It truly opened up a new field and prepared the way for generations of American scholars to do research. We are all in his debt." - Leo Lee. "Thirty-eight years after it was published, C. T. Hsia's, "A History of Modern Chinese Fiction" remains unsurpassed in its field. No book in any language has done more to shape our fundamental conceptions of modern Chinese literary art. Hsia's astute insights and graceful writing make the book enjoyable as well as deeply edifying." - Perry Link. First published in 1961, and reissued in new editions several times, "A History of Modern Chinese Fiction" is the pioneering, classic study of twentieth-century Chinese fiction. It covers some sixty years, from the Literary Revolution of 1917 through the Cultural Revolution of 1966-76. C. T. Hsia examines the major writers from Lu Hsun to Eileen Chang and selected works of representative importance since 1949 from both mainland China and Taiwan.
Professor David T. Roy hailed the book in the Christian Science Monitor when it was first published, and his comments are as relevant today as they were then: "The publication of C. T. Hsia's book is an event of the first importance. It has the distinction of being the first serious study of modern Chinese fiction in English. It also has the rarer distinction of being the best study of its subject available in any language. No more ambitious attempt to apply the principles of modern Western literary criticism to the study of Chinese literature has ever been made. Not only the specialist, but every reader who is interested in China or in literature will find it of interest..."
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