Tito Puente and the making of Latin music
Author(s)
Bibliographic Information
Tito Puente and the making of Latin music
(Music in American life)
University of Illinois Press, c1999
- : pbk
- : cloth
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Discography: p. [239]-241
Includes bibliographical references (p. [243]-245) and index
Description and Table of Contents
- Volume
-
: cloth ISBN 9780252023323
Description
The first in-depth historical, musical, and cultural look at the career and influence of the king of Latin music.
- Volume
-
: pbk ISBN 9780252067785
Description
He is known as "El Rey" - the king - and has come to epitomize the Latin experience in music, not just to Latinos throughout the United States and Latin America but to a worldwide audience of all backgrounds. "Tito Puente and the Making of Latin Music" is the first in-depth historical, musical, and cultural look at the career and the influence of this giant of Latin music. In this seminal work, Steven Loza brings the man and his music vividly to life through exclusive interviews with Puente and a number of his close associates, including Hilton Ruiz, Ray Santos, Jerry Gonzlez, Poncho Sanchez, and Joe Conzo, as well as music journalist Max Salazar and former DJ/producer Chico Sesma. Loza shows how Puente's music evolved in tandem with the crystallization of Latin music into its current compelling mix of Afro-Cuban music, salsa, and Latin jazz. Tracing Puente's innovations as a drummer and a bandleader, Loza defines his influence over the course of half a century on Latin music as well as on other musicians and musical genres.
Loza also delineates the social and cultural history of Latin music, exploring questions of nationalism and ethnic expression, the play between musical creation and commercial competition, and the politics of so-called multiculturalism as they bear on Latin music and musicians. The book includes detailed musical analyses and a discography of more than a hundred recordings. Celebrating a dynamic performer and a genre that is deeply rooted in America's rich ethnic diversity, "Tito Puente and the Making of Latin Music" traces a significant current in twentieth-century culture and reveals all the vibrancy and color of a consummate artist's life, work, and world.
by "Nielsen BookData"