No room of their own : gender and nation in Israeli women's fiction
著者
書誌事項
No room of their own : gender and nation in Israeli women's fiction
（Gender and culture / edited by Carolyn G. Heilbrun and Nancy K. Miller）
Columbia University Press, c1999
- : cloth
- : pbk
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注記
Includes bibliographical references (p. [291]-326) and index
内容説明・目次
内容説明
Unlike the literary traditions of the United States, England, and France, the first century of Hebrew literature was lacking in women novelists; women tended to write poetry, while prose fiction was mainly the domain of male writers. Since the 1980s, however, there has been a virtual explosion of commercially successful Hebrew fiction by women that includes many traditionally male genres, such as the historical novel, fictional autobiography, and the mystery novel. No Room of Their Own is a comparative analysis of recent Israeli fiction by women and some of its Western models, from Virginia Woolf and Simone de Beauvoir to Marilyn French and Marie Cardinal.
Feldman shows the richness and subtleties of Israeli women's fiction as she explores the themes of gender and nation, as well as the (non)representation of the "New Hebrew Woman" in five authors -- the "foremothers" of the contemporary boom in Israeli Women's fiction: Amalia Kahana-Carmon ( Up on Montifer, With Her on Her Way Home), Shulamith Hareven ( City of Many Days, Thirst, The Vocabulary of Peace), Netiva BenYehuda ( The Palmach Trilogy), Ruth Almog ( Women, The Story of a [Writer's] Block, Roots of Air), and Shulamit Lapid ( Gei Oni).
目次
- Introduction I. "Running with She-Wolves"? II. The "New Hebrew Woman" III. The Subject of Postmodernism IV. Isreal and the European "Woman Question" One: Emerging Subjects I. The Masked Autobiography: Genre and Gender II. What Does a Woman Want? Shulamit Lapid and the Feminist Romance Two: Alterity Revisited: Gender Theory and Israeli Literary Feminism I. Beauvior's Drama of Subjectivity II. Beauvoir's "Daughters": Otherness as Difference III. Postmodernism's "Other": Mother's Body, Mother's Tongue IV. Empowering the M/Other? Three: Empowering the Other: Amalia Kahana-Carmon I. Feminine, Feminist, or Modernist? II. A Brotherhood of Outsiders: Women/Jews/Blacks in Up in Montifer III. The Brotherhood That Cannot Hold Four: Who's Afraid of Androgyny? Virginia Woolf's "Gender" avant la lettre I. Untangling the Homoerotic Web: Between Orlando and A Room of One's Own II. Who's Afraid of Father and Mother(hood)? Back To The Lighthouse III. Jewish Mothers and Israeli Androgyny Five: Israeli Androgyny Under Siege: Shulamith Hareven I. Gendered Selves in City of Many Days: Same, Different, or Repressed? II. Androgynous "Jewish Parents"? Not in a War Zone! III. Trauma and Homoeroticism: Loneliness, an Israeli Story Six: The Leaning Ivory Tower: Feminist Politics I. Oedipal Tyrannies: Woolf's Psychopolitics in Three Guineas II. The Leaning Israeli Tower: Feminism Reinvented III. Monotheistic Tyrannies: Israeli Psychopolitics Seven: 1948 -- Hebrew "Gender" and Zionist Ideology: Netiva Ben Yehuda Eight: Beyond The Feminist Romance: Ruth Almog I. From The Madwoman in the Attic to The Women's Room II. The Sins of Their Father(s)
- or, A Portrait of the Artist as a Young Girl III. Love and Work? Embracing the M/Other in Roots of Air IV. From Hysteria to HerStory: Artistic Mending Afterword: The Nineties -- Prelude to a Postmodernist Millennium?
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