Colonial discourses, collective memories, and the exhibition of Native American cultures and histories in the contemporary United States
著者
書誌事項
Colonial discourses, collective memories, and the exhibition of Native American cultures and histories in the contemporary United States
(Native Americans : interdisciplinary perspectives)
Garland Pub., 1998
- : alk. paper
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 115-130
Includes index
内容説明・目次
内容説明
This book examines the changing conception of Native American cultures and histories within American public culture. Popular and academic representations of Native Americans have undergone significant alterations during the past 30 years, advancing, if not celebrating, interpretations which challenge images and narratives once central to national identity and cross-cultural relations. In spite of these positive efforts, museums, monuments, and other exhibitionary spaces continue to devalue, stereotype, and dismiss them. Importantly, then paradoxical effects of these modifications not only recuperate accounts which legitimated the conquest and subjugation of Native America, but also reproduce the inequalities and injustices which continue to structure the relations between EuroAmericans and Native Americans.This book presents historical ethnographies of four contexts to substantiate these positions: the Smithsonian Institution; the invention of Chief Illiniwek, the athletic mascot of the University of Illinois at Urbana-Champaign; the Little Bighorn Battlefield National Monument; the exhibition of Comanche, the horse dubbed "the sole survivor of the Battle of the Little Bighorn", at the University of Kansas Natural History Museum. The study concludes with an evaluation of alternative strategies, including repatriation and reflexivity, which may promote the reconstruction of exhibitionary spaces.
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