Le grand tango : the life and music of Astor Piazzolla
著者
書誌事項
Le grand tango : the life and music of Astor Piazzolla
Oxford University Press, 2000
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes discography (p. 285-289), bibliographical references and index
内容説明・目次
内容説明
Astor Piazzolla (1921-1992) was the great pioneer of modern tango music, a masterly composer and bandoneon player who won increasing international fame with his Quintet in the 1980s, in Europe, North and South America, and Japan. Born in Mar del Plata, Argentina, he was taken by his parents to New York at the age of 4, and grew up on the tough streets of the Lower East Side. As a teenager he became passionately fond of both jazz and classical music, while also learning the bandoneon - the classic tango instrument, a member of the accordion family. On his return to Argentina at age 16, he quickly found his place in the flourishing tango world, then at its peak in Argentina, joining the most legendary dance band of the period, and in 1946 forming his own band. He studied with Alberto Ginastera and tried for a while to establish himself as a classical composer. In 1954-1955 he studied with the great Nadia Boulanger in Paris. She firmly told him to develop his own modern tango style, which he did in an extraordinary sequence of works, played by his notable groups - the Octet (1955), the first Quintet (1960), and the Nonet (1971).
Piazzolla's revolutionary experiments with tango music brought him fierce hostility from traditional tango fans. He remained a highly controversial figure in Argentina for the rest of his life. In the mid-1970s, partly in frustration, he based himself in Europe, memorably collaborating with Gerry Mulligan and gradually becoming more widely known. He was briefly drawn into an unsuccessful 'electronic' phase (1975-1977) before reverting to his true strengths with the formation of the second Quintet (1978), noted over the next decade for its performances with the Italian singer Milva and the jazz genius Gary Burton. With the new Quintet and its brilliant 'contemporary chamber music', Piazzolla won genuine international renown, which has grown still greater since his death in 1992. In September 1997 Billboard Magazine called him 'the hottest composer around'.
目次
- Foreword by Yo-Yo- Ma
- Preface and Acknowledgements / Glossary of South American Terms / Family Tree
- I STRUGGLE
- 1. 'I was raised in New York' 1921-1937
- 2. Into the Tango World 1937-1944
- 3. The Road to Paris 1944-1955
- 4. Octet and Jazz-Tango 1955-1960
- 5. Leader of the Avant-Garde 1960-1967
- 6. Piazzolla-Ferrer-Baltar 1967-1971
- 7. Nonet and Breakdown
- II MAN AND MUSICIAN
- 8. Man
- 9. Musician
- III FAME
- 10. All roads lead to Rome 1974-1975
- 11. 'An electric Piazzolla' 1975-1977
- 12. Up and down the Atlantic 1977-1981
- 13. Sharks and Concertos 1981-1985
- 14. Globetrotter with Bandoneon 1988-1992
- 15. Sextet and Tragic Coda 1988-1992
- Astor Piazzolla on Compact Disc / Notes / Sources
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