Edward Hopper : the watercolors
著者
書誌事項
Edward Hopper : the watercolors
W.W. Norton & Company, c1999
- : hard
- : pbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalog of an exhibition held at the National Museum of American Art, Smithsonian Institution, Washington, D.C., Oct. 22, 1999-Jan. 3, 2000, and at the Montgomery Museum of Fine Arts, Montgomery, Ala., Jan. 30-Mar. 26, 2000
Includes bibliographical references (p. 174-176) and index
内容説明・目次
内容説明
Edward Hopper has been celebrated for over half a century as America's most eloquent realist artist. His best known oils, such as Nighthawks, Early Sunday Morning, and House by a Railroad, are powerful psychological statements that convey a sense of angst and alienation.
Yet there is another Hopper we know less well: the freer, more spontaneous spirit that emerges in his watercolors. In 1923 he spent a summer in Gloucester, Massachusetts, and began painting houses, landscapes, and fishing boats. In them he captures remnants of nineteenth-century America that for him symbolized the fundamental character of the country's people and places, and prompted him to reexamine his views about the relationship between the past and the modern. Over the next two decades, Hopper painted hundreds of watercolors, in Gloucester, the coast of Maine, New Mexico, and Cape Cod.
This beautiful book reproduces and examines over one hundred of Hopper's greatest watercolors in the context of his life and travels. It is an indispensable book for anyone interested in American art. 101 four-color and 40 black-and-white illustrations.
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