Baltic light : early open-air painting in Denmark and North Germany
Author(s)
Bibliographic Information
Baltic light : early open-air painting in Denmark and North Germany
Yale University Press in association with National Gallery of Canada, Ottawa, 1999
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
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  Tochigi
  Gunma
  Saitama
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  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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Note
Catalog of an exhibition held at the National Gallery of Canada, Ottawa, 15 Oct. 1999-2 Jan. 2000 ; Hamburger Kunsthalle, Hamburg, Germany, 26 Jan.-26 March 2000 ; Thorvaldsens Museum, Copenhagen, Denmark, 19 Apr.-18 June 2000
Bibliography: p. 218-220
Description and Table of Contents
Description
During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known.
The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window from which light emanates. Essays by eminent authorities discuss various aspects of the Danish and North German open air movement. They note, for example, that the paintings reflect a direct view of nature devoid of the intellectual and moral overtones of the neoclassical paintings that preceded them. They also discuss the fact that Schleswig Holstein was closely allied with Denmark until 1848, and this favored many Hamburg and north German artists studying at the Academy in Copenhagen where painting out of doors was encouraged. In addition to the essays, the book presents 108 works by twenty-three artists, catalogue entries for each work, and a biography of each artist.
Published in association with The National Gallery of Canada, Ottawa
by "Nielsen BookData"