Defining modernism : Baudelaire and Nietzsche on romanticism, modernity, decadence, and Wagner

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Defining modernism : Baudelaire and Nietzsche on romanticism, modernity, decadence, and Wagner

Andrea Gogröf-Voorhees

(Studies in literary criticism and theory, v. 8)

P. Lang, c1999

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注記

Includes bibliographical references (p. [189]-197) and index

内容説明・目次

内容説明

Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of « modernism is elucidated. Gogrof-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.

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