Jane Campion's The piano
Author(s)
Bibliographic Information
Jane Campion's The piano
(Cambridge film handbooks series)
Cambridge University Press, 2000
- : hbk
- : pbk
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Filmography: p. 163-166
Includes bibliographical references (p. 191) and index
Description and Table of Contents
Description
Jane Campion's The Piano is one of the most unusual love stories in the history of cinema. The film swept the world upon its release, winning awards for its performances, script, and direction, including prestigious Cannes and Academy Award prizes. Rejecting virtually every stereotype of the romance genre, it poses a wholly new set of questions about relationships between men and women, and marriage in particular, as well as issues related to colonialism and property ownership. This volume examines The Piano from a variety of critical perspectives. In six essays, specially commissioned for this project, an international team of scholars examine topics such as the controversial representation of the Maori, the use of music in the film, the portrayal of the mother-daughter relationship, and the significance of the film in terms of international cinema, the culture of New Zealand, and the work of Jane Campion.
Table of Contents
- Introduction: 'A Strange Heritage': from colonisation to transformation? Harriet Margolis
- 1. Music in The Piano Claudia Gorbman
- 2. The last patriarch Ann Hardy
- 3. The Piano, the animus, and colonial experience John Izod
- 4. Ebony and ivory: constructions of Maori in The Piano Leonie Pihama
- 5. Foreign tunes? Gender and nationality in four countries' reception of The Piano Stephen Crofts.
by "Nielsen BookData"