Dutch, Flemish, and German paintings before 1900 (excluding the Daisy Linda Ward collection)
著者
書誌事項
Dutch, Flemish, and German paintings before 1900 (excluding the Daisy Linda Ward collection)
(Ashmolean Museum Oxford, catalogue of the collection of paintings, vol.1)
Oxford University Press, 1999
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and indexes
内容説明・目次
内容説明
This catalogue describes and illustrates the 175 Dutch, Flemish and German pictures of the 15th to 19th centuries in the Ashmolean Museum, Oxford (with the exception of the Dutch and Flemish still-life paintings from the Daisy Linda Ward Bequest, which are being catalogued in a separate volume). The Museum's holdings contain a number of important pictures, such as the group of landscape and genre paintings by Dutch 17th-century artists. Some of the pictures in this catalogue were already in the possession of the University in the 18th century, but the collection was transformed by a major gift of 31 Flemish 17th-century paintings in 1855 by the collector and amateur artist Chambers Hall (1786-1855). This outstanding group includes four brilliant oil-sketches by Rubens for the ceiling of the Jesuit Church in Antwerp and one for the Joyous Entry of the Cardinal-Infante Ferdinand into Antwerp, as well as two rare oil sketches by van Dyck. Other pictures have been added by subsequent donation or bequest.
目次
- Catalogue
- Comparative illustrations
- Inventory of Registration Numbers
- Changes in Attribution since the 1980 Catalogue.
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