The fields of David Smith
著者
書誌事項
The fields of David Smith
Thames & Hudson, 1999
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
"Published in conjunction with a three-year exhibition of the same name presented at the Storm King Art Center, Mountainville, New York, in 1997, 1998 and 1999"--T.p. verso
Organized by guest curator Candida N. Smith and Storm King
内容説明・目次
内容説明
The celebration of a three-year exhibition in the Storm King Art Center in Mountainsville, New York. The aim of the curators has been to recapture the experience of viewing Smith's work during his lifetime, when it was deployed in ever-changing arrangements in his fields at Bolton Landing in the Adirondacks. The book recreates the scene at Bolton landing. An essay by Smith's daughter, Candida, captures in personal and direct terms the man himself, his struggles and delights, and the intensity of his working life. This is followed by a memoir from Irving Sandler and reminiscences by friends of the artist. The text is accompanied by photographs by fellow artists and by Smith himself. The balance of the book is an album of the evolving Storm King exhibition, featuring major work by Smith sent from collections all over the country. Jerry L. Thompson, a photographer of sculpture, has captured Smith's work in the summer and snow, and sunrise and sunset, glistening in the rain and presiding over the mists. The interplay between the works and their surroundings, and the effects of light upon their surfaces seeks to provide a lens through which to view the sculpture of David Smith.
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