Picturing power in the People's Republic of China : posters of the cultural revolution
著者
書誌事項
Picturing power in the People's Republic of China : posters of the cultural revolution
Rowman & Littlefield, c1999
- : hbk
- : pbk
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Includes bibliographical references (p. 149-157) and index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780847695102
内容説明
This richly illustrated book provides an innovative reinterpretation of the Cultural Revolution through the medium of the poster-a major component of popular print culture in China. Using an array of full color and black-and-white reproductions, an eminent group of scholars explores the discursive power of visual artforms in Chinese public life.
目次
- Introducing posters of China's Cultural Revolution, Harriet Evans and Stephanie Donald
- excess and enthusiasm, John Gittings
- souvenirs of Beijing - authority and subjectivity in art historical memory, Craig Clunas
- sister comrades - gendered bodies and spaces, Harriet Evans
- children as political messengers - art, childhood and continuity, Stephanie Donald
- icons of power - Mao Zedong and the Cultural Revolution, Robert Benewick
- print culture, memory and the popular, Chen Xiaomei
- afterword, Stephanie Donald and Harriet Evans.
- 巻冊次
-
: pbk ISBN 9780847695119
内容説明
This illustrated book provides an innovative reinterpretation of the Cultural Revolution through the medium of the poster - a major component of popular print culture in China. Using 30 full colour and as many black-and-white reproductions of posters from the University of Westminster collection, an eminent group of scholars explores the discursive power of visual artforms in Chinese public life. The contributors provide an interdisciplinary analysis of political art produced for a Chinese audience. At the same time, they acknowledge the importance of subjectivity in elucidating important cultural facets of a significant revolutionary period.
目次
- Introducing posters of China's Cultural Revolution, Harriet Evans and Stephanie Donald
- excess and enthusiasm, John Gittings
- souvenirs of Beijing - authority and subjectivity in art historical memory, Craig Clunas
- sister comrades - gendered bodies and spaces, Harriet Evans
- children as political messengers - art, childhood and continuity, Stephanie Donald
- icons of power - Mao Zedong and the Cultural Revolution, Robert Benewick
- print culture, memory and the popular, Chen Xiaomei
- afterword, Stephanie Donald and Harriet Evans.
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