Gardens and landscapes in the Encyclopédie of Diderot and D'Alembert : the letterpress articles and selected engravings

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Gardens and landscapes in the Encyclopédie of Diderot and D'Alembert : the letterpress articles and selected engravings

Terence M. Russell and Ann-Marie Thornton

Ashgate, c1999

  • : set
  • v. 1
  • v. 2

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

This work provides full translations in English of some 650 articles on gardens and landscapes, and of approximately 80 commentaries to the engravings, taken from the monumental "Encyclopedie" of Diderot and d'Alembert. Twenty plates have been reproduced with a full translation of their accompanying texts. These writings, here translated for the first time, provide an insight into the theory and practice of garden design, and reveal the extent to which the "Encyclopedie" captured the spirit of new appreciations of pastoral landscape in the 18th century. To enable the reader to place the letterpress articles from the "Encyclopedie" in context, they are preceded by two introductory essays, the first of which places gardens in their architectural setting, with particular emphasis on the Picturesque Movement in landscape design. The second explores garden imagery in Enlightenment literature, discussing perceived links between fiction and history.

目次

  • Volume 1. Part 1 Denis Diderot and the early history of the "Encyclopedie": a portrait of Diderot to the time of the inception of the "Encyclopedie"
  • youth and education
  • Diderot the Bohemian
  • marriage
  • Diderot the emergent "philosophe"
  • the new philosophy
  • philosophy and translation work
  • friendship - Condillac and Rousseau
  • "Cosmogeny" and "De Rerum Natura" - on the nature and creation of the universe
  • on the nature of material and existence
  • on the nature of the soul and the vital spirit
  • on nature and the gods
  • on sensation and perception
  • on human conduct
  • the encyclopaedic precursors to the "Encyclopedie"
  • the origins of the "Encyclopedie"
  • the project for translating Chamber's "Cyclopaedia"
  • the emergence of the "Encyclopedie"
  • Diderot's "Prospectus" to the "Encyclopedie"
  • reflections upon previous encyclopaedic works - the influence of Chamber's "Cyclopaedia"
  • inventory of illustrations in Chamber's "Cyclopaedia"
  • Diderot
  • s encyclopaedic method
  • the realm of the sciences and the arts in the "Encyclopedie"
  • Diderot's acknowledgement of the initial intellectual support bearing upon the "Encyclopedie"
  • Diderot's estimation of the representation of the mechanical arts in encyclopaedic writing
  • the portrayal of mechanical arts in the "Encyclopedie"
  • the working method of the "Encyclopedistes" and their artist illustrators
  • the visual enchantment of the engravings which accompany the "Encyclopedie"
  • Diderot's message to posterity. Jean Le Rond D'Alembert and the preliminary discourse to the "Encyclopedie"
  • a portrait of D'Alembert to the time of the inception of the "Encyclopedie" - early life
  • intellectual achievements in mathematical science
  • D'Alembert's widening social horizons
  • D'Alembert's early association with the "Encyclopedie"
  • D'Alembert's "Preliminary Discourse" to the "Encyclopedie" - the historical context of the "Preliminary Discourse"
  • D'Alembert's genealogical division of knowledge - the challenge to the mind. (Part contents)

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