Originality in Byzantine literature, art, and music : a collection of essays
Author(s)
Bibliographic Information
Originality in Byzantine literature, art, and music : a collection of essays
(Oxbow monograph, 50)
Oxbow Books, 1995
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
The emperor Julian once claimed that of all things innovation was what he most abhored. The 15 papers collected in this volume attempt to reveal various standards of innovation in Byzantine arts.
Table of Contents
- Innovation in Byzantium, A. Kazhdan
- tradition and originality in literary criticism and scholarship, R. Browning
- rhetoric and the Holy Spirit, G. Kustas
- originality in the Byzantine letter, M. Mullet
- historiography, S. Runciman
- innovation or mimesis in Byzantine sermons, M. Cunningham
- epic and romance in the 12th century, R. Beaton
- the Greek version of Ovid's amatory poems, E. Fisher
- originality in Byzantine art criticism, H. Maguire
- originality and the icon, A.W. Carr
- originality in Byzantine religious paintings, T. Gouma-Patterson
- originality in Byzantine manuscript illustration, L. Brubaker
- beyond Hagia Sophia, R. Ousterhout
- orignality and innovation in Byzantine music, M. Verlimirovic
- originality as a cultural phenomenon, A. Cutler.
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