Renaissance Venice and the north : crosscurrents in the time of Dürer, Bellini and Titian

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Bibliographic Information

Renaissance Venice and the north : crosscurrents in the time of Dürer, Bellini and Titian

edited by Bernard Aikema and Beverly Louise Brown

Thames & Hudson, 1999

Available at  / 13 libraries

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Note

Bibliography: p. 661-683

Includes indexes

Description and Table of Contents

Description

A study of Renaissance Italy and the north, focusing on crosscurrents in the time of Durer, Bellini and Titian. It contains essays on subjects such as the invention of oil painting; Netherlandish music and musicians in the City of Doges; and commercial contacts and intellectual inspirations.

Table of Contents

  • Part 1 Essays: Venice and the low countries - commercial contacts and intellectual inspirations
  • Venice and Germany - commercial contacts and intellectual inspirations
  • Netherlandish music and musicians in the City of the Doges
  • the foreign experience - northern artists working in Venice and the Veneto
  • from Fazio to Van Mauder and Ridolfi - art theory and source
  • "the invention of oil painting"
  • north and south - painting techniques in the later 16th century
  • collectors of northern art in Renaissance Venice and the Veneto
  • the Fugger and other German patrons of Venetian art
  • the Venetian experience of artists working at the court of Rudolf II
  • northern artists in Renaissance Venice and the Veneto - a time table. Part 2 The catalogue: Antonello da Messina, Giovanni Bellini and northern painting
  • early crosscurrents - Germany and the Veneto
  • from hell to paradise - figure and landscape in the early 16th century
  • Titian and the north
  • landscape and genre in the later 16th century
  • Netherlandish printmakers in Venice
  • a Venetian fin de siecle.

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