Renaissance Venice and the north : crosscurrents in the time of Dürer, Bellini and Titian
Author(s)
Bibliographic Information
Renaissance Venice and the north : crosscurrents in the time of Dürer, Bellini and Titian
Thames & Hudson, 1999
Available at 13 libraries
Note
Bibliography: p. 661-683
Includes indexes
Description and Table of Contents
Description
A study of Renaissance Italy and the north, focusing on crosscurrents in the time of Durer, Bellini and Titian. It contains essays on subjects such as the invention of oil painting; Netherlandish music and musicians in the City of Doges; and commercial contacts and intellectual inspirations.
Table of Contents
- Part 1 Essays: Venice and the low countries - commercial contacts and intellectual inspirations
- Venice and Germany - commercial contacts and intellectual inspirations
- Netherlandish music and musicians in the City of the Doges
- the foreign experience - northern artists working in Venice and the Veneto
- from Fazio to Van Mauder and Ridolfi - art theory and source
- "the invention of oil painting"
- north and south - painting techniques in the later 16th century
- collectors of northern art in Renaissance Venice and the Veneto
- the Fugger and other German patrons of Venetian art
- the Venetian experience of artists working at the court of Rudolf II
- northern artists in Renaissance Venice and the Veneto - a time table. Part 2 The catalogue: Antonello da Messina, Giovanni Bellini and northern painting
- early crosscurrents - Germany and the Veneto
- from hell to paradise - figure and landscape in the early 16th century
- Titian and the north
- landscape and genre in the later 16th century
- Netherlandish printmakers in Venice
- a Venetian fin de siecle.
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