The forgotten female aesthetes : literary culture in late-Victorian England
著者
書誌事項
The forgotten female aesthetes : literary culture in late-Victorian England
（Victorian literature and culture series）
University Press of Virginia, 2000
- : pbk
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注記
Includes bibliographical references (p. [273]-289) and index
内容説明・目次
内容説明
Every non-canonical male aesthete in Victorian England once competed with what Talia Schaffer calls the female aesthetes, whose critical and popular success made them formidable contemporaries. Not only did these women make significant contributions to the development of feminist ideologies, they pioneered new literary strategies that were incorporated by their canonical successors. In this text, Schaffer analyzes writers such as Lucas Malet (Mary Harrison), Ouida (Marie Louise de la Ramee), Alice Meynell, Rosamund Marriott Watson, Una Ashworth Taylor, Elizabeth Robins Pennell, Mary and Jane Findlater, and John Oliver Hobbes (Pearl Craigie). These women used aestheticism to forge a compromise between the two models of female identity available to them - the New Woman and the Angel in the House. They developed plots, ideas, and styles that would later be adopted, parodied, or revised by canonical writers such as Oscar Wilde, Virginia Woolf, Thomas Hardy and Henry James. They used the ""pretty"" language of aestheticism as a strategic cover behind which they could attempt radical experiments, many of which prefigure modernist innovations. Talia Schaffer hopes that recovering the lost work of the female aesthetes will force us to reconsider the central tenets of late-Victorian literary theory.
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