Genre fission : a new discourse practice for cultural studies
著者
書誌事項
Genre fission : a new discourse practice for cultural studies
University of Iowa Press, c2000
- : pbk
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注記
Includes index
内容説明・目次
内容説明
What do Amsterdam prostitutes, NASA astronauts, cross-dressing texts, and Star Trek characters have in common? In Genre Fission, Marleen Barr wittily and eccentrically revitalizes cultural and literary theory by examining the points where such vastly different categories meet, converge, and reemerge as something new.
目次
Introduction: \u0022The Grand Mix\u0022 or Who Wears the White Hats When the Barbie Liberation Organization Strikes Back? I. Private Lives: Peaceful Coexistences 1. Bridging the Dead Father's Canonical Divide: Max Apple, Saul Bellow, Edgar Allan Poe, and Lynn Redgrave Form a Textual Cross-Dresser Support Group 2. \u0022All Good Things\u0022: The End of Star Trek: The Next Generation, the End of Camelot, and the End of the Tale about Woman as Handmaid to Patriarchy-as-Superman 3. Shutting the Bestial Mouth: Confessions of Male Clones and Girl Gangs II. Public Displays: Sexed Spectacles 4. Night Watch in Amsterdam's Red Light District: Prostitutes/Dutch Windows/Utopian and Dystopian Gazes 5. Los York/ New Angeles: \u0022New York, New York, a Helluva Town\u0022 Sings \u0022 I Wish They All Could Be California Girls\u0022 6. American Middle-Class Males Mark the Moon: Retrospectively Reading the Apollo Program of Lorena Bobbitt vs. the Saturn 5 III. Premier Discourses: First Times 7. Women \u0022Churtening\u0022 via the Cha Cha: Ursula K. LeGuin and Hispanic-American Auhors Write to the Same Rhythm 8. Wrapping the Reichstag vs. Rapping Racism or \u0022A Colored Kind of White People\u0022: Black/ White/ Jew/ Gentile 9. Playing with Time: The Holocaust as \u0022A Different Universe of Discours\u0022 Epilogue: Discourse as Black Hole- and as Liberated Light Notes Work Cited Index
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