Understanding Chekhov : a critical study of Chekhov's prose and drama
著者
書誌事項
Understanding Chekhov : a critical study of Chekhov's prose and drama
(Russian studies)
Bristol Classical, 1999
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This work is designed to enhance the understanding of those who read Chekhov's stories or watch his plays. It reveals the levels of meaning and intention, the interpretations that author, reader, theatre director or critic can make, and brings out Chekhov's many connections to European prose and drama. It is a systematic study, in chronological order, showing how Chekhov was formed by his own literary models and cultural background. It places stories and plays in context with each other as well as with Chekhov's reading and his public's and publishers' expectations. Early work receives special attention as the crucible in which later fiction is smelted; each of the major plays has a chapter devoted to it. Chekhov's own elusive intentions are elucidated, as well as the critical reactions of his contemporaries and of posterity. This study concentrates on Chekhov's innovations in both the story and in drama: the use of inconsequentiality, the avoidance of denouements, non-verbal effects (eg. smell and light), intertextuality. Much new archival material, private and family, is drawn on to show the origins of Chekhov's ideas and source of his motifs.
Attention is paid to Chekhov's influence on the short story and on drama in Europe and America, as well as in Russia.
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